Music Theory

Publications

“The Timbre of Tone, the Texture of Space: An Embodied Approach to the Atmospheric Modulations of Éliane Radigue.” Journal of Sonic Studies 20 (2020).

Conference Papers

“What Affect Means for Music Analysis: Examining Texture in Steve Reich’s Minimalist Works”
Jahrestagung der Gesellschaft für Musikforschung (GfM), “Nach der Norm: Musikwissenschaft im 21. Jahrhundert,” Berlin, 28 September 28 – October 1, 2022.

“Chaos and Coherence: The Effects of Timbre on the Perception of Space”
8th Conference of the Royal Musical Association Music & Philosophy Study Group (RMA MPSG), London, July 8, 2022.

“Beyond Mechanical Sound: Discovering and Understanding Emergent Repetition in Minimal Music”
Eighth International Conference on Music and Minimalism, Bowling Green, Ohio, May 5, 2022.

“Using Digital Tools to Analyze Domestic Arrangements of Beethoven’s Symphonies: Refining the Concept of the Musical Work”
Forschungskolloquium, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, October 27, 2020.

“Dangerous Music: Analysis, Criticism, and the Aesthetic Object.”
Paper presented to the Music Cognition and Music & Disability Interest Groups, Society for Music Theory Annual Meeting, Columbus, Ohio, November 7-10, 2019.

“Altered Space: Miles Davis, Teo Macero, and the Role of the Studio in Spatial Perception”
GSIM 2019 (conference) presented at the Graduate Center, City University of New York, April 2019.

“Moved by the Music: Encounters in Space with the Electroacoustic Sounds of Ryoji Ikeda”
Sounding Out the Space (conference), Dublin Institute of Technology, November 2017.